The Aura of Buddhist Material Objects in the Age of Mass-production

Research output: Contribution to journalJournal articleResearchpeer-review

Standard

The Aura of Buddhist Material Objects in the Age of Mass-production. / Brox, Trine.

In: Journal of Global Buddhism, Vol. 20, 2019, p. 105-125.

Research output: Contribution to journalJournal articleResearchpeer-review

Harvard

Brox, T 2019, 'The Aura of Buddhist Material Objects in the Age of Mass-production', Journal of Global Buddhism, vol. 20, pp. 105-125. https://doi.org/10.5281/zenodo.3238213

APA

Brox, T. (2019). The Aura of Buddhist Material Objects in the Age of Mass-production. Journal of Global Buddhism, 20, 105-125. https://doi.org/10.5281/zenodo.3238213

Vancouver

Brox T. The Aura of Buddhist Material Objects in the Age of Mass-production. Journal of Global Buddhism. 2019;20:105-125. https://doi.org/10.5281/zenodo.3238213

Author

Brox, Trine. / The Aura of Buddhist Material Objects in the Age of Mass-production. In: Journal of Global Buddhism. 2019 ; Vol. 20. pp. 105-125.

Bibtex

@article{42971f7bba7a4e9590d275c9fde30d26,
title = "The Aura of Buddhist Material Objects in the Age of Mass-production",
abstract = "The article discusses material religion in a commercial setting and begins with Walter Benjamin{\textquoteright}s The Work of Art in the Age of Mechanical Reproduction (1936). Benjamin argues that mechanical reproduction emancipated works of art from religious rituals and evaporated the aura of art. This has resonance among some Tibetan Buddhists in the context of mass-produced Buddhist material objects. Are such objects fit to be given as gifts, implemented in rituals, and worshipped on altars? Based upon ethnographic work at a Tibetan Buddhist market in urban China, this article argues that, although factory-made, for-profit objects are not made or handled according to Buddhist tradition, the aura can be produced in different ways and at different points of an object{\textquoteright}s life. This article presents three very different modes of action employed by marketers, customers, and ritual specialists. The modes of action are packaging, ritual action, and faith labor.",
author = "Trine Brox",
year = "2019",
doi = "10.5281/zenodo.3238213",
language = "English",
volume = "20",
pages = "105--125",
journal = "Journal of Global Buddhism",
issn = "1527-6457",

}

RIS

TY - JOUR

T1 - The Aura of Buddhist Material Objects in the Age of Mass-production

AU - Brox, Trine

PY - 2019

Y1 - 2019

N2 - The article discusses material religion in a commercial setting and begins with Walter Benjamin’s The Work of Art in the Age of Mechanical Reproduction (1936). Benjamin argues that mechanical reproduction emancipated works of art from religious rituals and evaporated the aura of art. This has resonance among some Tibetan Buddhists in the context of mass-produced Buddhist material objects. Are such objects fit to be given as gifts, implemented in rituals, and worshipped on altars? Based upon ethnographic work at a Tibetan Buddhist market in urban China, this article argues that, although factory-made, for-profit objects are not made or handled according to Buddhist tradition, the aura can be produced in different ways and at different points of an object’s life. This article presents three very different modes of action employed by marketers, customers, and ritual specialists. The modes of action are packaging, ritual action, and faith labor.

AB - The article discusses material religion in a commercial setting and begins with Walter Benjamin’s The Work of Art in the Age of Mechanical Reproduction (1936). Benjamin argues that mechanical reproduction emancipated works of art from religious rituals and evaporated the aura of art. This has resonance among some Tibetan Buddhists in the context of mass-produced Buddhist material objects. Are such objects fit to be given as gifts, implemented in rituals, and worshipped on altars? Based upon ethnographic work at a Tibetan Buddhist market in urban China, this article argues that, although factory-made, for-profit objects are not made or handled according to Buddhist tradition, the aura can be produced in different ways and at different points of an object’s life. This article presents three very different modes of action employed by marketers, customers, and ritual specialists. The modes of action are packaging, ritual action, and faith labor.

U2 - 10.5281/zenodo.3238213

DO - 10.5281/zenodo.3238213

M3 - Journal article

VL - 20

SP - 105

EP - 125

JO - Journal of Global Buddhism

JF - Journal of Global Buddhism

SN - 1527-6457

ER -

ID: 225996519