Talking with TV shows: Simultaneous conversations between users and producers in the second screen production of Voice
Research output: Contribution to journal › Journal article › Research › peer-review
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Talking with TV shows : Simultaneous conversations between users and producers in the second screen production of Voice. / Sandvik, Kjetil; Laursen, Ditte.
In: Nordic Journal of Media Studies, Vol. 12, No. 1, 2014, p. 141-160.Research output: Contribution to journal › Journal article › Research › peer-review
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TY - JOUR
T1 - Talking with TV shows
T2 - Simultaneous conversations between users and producers in the second screen production of Voice
AU - Sandvik, Kjetil
AU - Laursen, Ditte
PY - 2014
Y1 - 2014
N2 - User interaction with radio and television programmes is not a new thing. However, with new cross-media production concepts such as X Factor and Voice, this is changing dramatically. The second-screen logic of these productions encourages viewers, along with TV’s traditional one-way communication mode, to communicate on interactive (dialogue-enabling) devices such as laptops, smartphones and tablets. Using the TV show Voice as our example, this article shows how the technological and situational set-up of the production invites viewers to engage in new ways of interaction and communication. More specifically, the article demonstrates how online comments posted on the day of Voice’s 2012 season finale can be grouped into four basic action types: (1) Invitation to consume content, (2) Request for participation, (3) Request for collaboration and (4) Online commenting. These action types express on the one hand the way in which Voice addresses its audience (i.e. through traditional one-way, one-to-many communication) and on the other hand the ways in which viewers respond by participating and collaborating (i.e, through two-way, one-to-one, one-to-many and many-to-many communication).
AB - User interaction with radio and television programmes is not a new thing. However, with new cross-media production concepts such as X Factor and Voice, this is changing dramatically. The second-screen logic of these productions encourages viewers, along with TV’s traditional one-way communication mode, to communicate on interactive (dialogue-enabling) devices such as laptops, smartphones and tablets. Using the TV show Voice as our example, this article shows how the technological and situational set-up of the production invites viewers to engage in new ways of interaction and communication. More specifically, the article demonstrates how online comments posted on the day of Voice’s 2012 season finale can be grouped into four basic action types: (1) Invitation to consume content, (2) Request for participation, (3) Request for collaboration and (4) Online commenting. These action types express on the one hand the way in which Voice addresses its audience (i.e. through traditional one-way, one-to-many communication) and on the other hand the ways in which viewers respond by participating and collaborating (i.e, through two-way, one-to-one, one-to-many and many-to-many communication).
KW - Faculty of Humanities
KW - second-screen
KW - social media
KW - Facebook
KW - collaboration
KW - participation
KW - social TV
KW - cross-media communication
U2 - 10.1386/nl.12.1.141_1
DO - 10.1386/nl.12.1.141_1
M3 - Journal article
VL - 12
SP - 141
EP - 160
JO - Nordic Journal of Media Studies
JF - Nordic Journal of Media Studies
SN - 1601-829X
IS - 1
ER -
ID: 128899857