Re-Collections: Images Beyond the Archive

Research output: Contribution to journal › Journal article › Research › peer-review

Standard

Re-Collections : Images Beyond the Archive. / Bandak, Andreas; Crone, Christine Aster; Mollerup, Nina Grønlykke.

In: Visual Anthropology, Vol. 37, No. 1, 14.02.2024, p. 1-18.

Research output: Contribution to journal › Journal article › Research › peer-review

Harvard

Bandak, A, Crone, CA & Mollerup, NG 2024, 'Re-Collections: Images Beyond the Archive', Visual Anthropology, vol. 37, no. 1, pp. 1-18. https://doi.org/10.1080/08949468.2023.2285211

APA

Bandak, A., Crone, C. A., & Mollerup, N. G. (2024). Re-Collections: Images Beyond the Archive. Visual Anthropology, 37(1), 1-18. https://doi.org/10.1080/08949468.2023.2285211

Vancouver

Bandak A, Crone CA, Mollerup NG. Re-Collections: Images Beyond the Archive. Visual Anthropology. 2024 Feb 14;37(1):1-18. https://doi.org/10.1080/08949468.2023.2285211

Author

Bandak, Andreas ; Crone, Christine Aster ; Mollerup, Nina Grønlykke. / Re-Collections : Images Beyond the Archive. In: Visual Anthropology. 2024 ; Vol. 37, No. 1. pp. 1-18.

Bibtex

@article{0efbdbc099174772a854da10bf1d6205,
title = "Re-Collections: Images Beyond the Archive",
abstract = "In visual terms the ongoing war in Syria has been one of the most well-documented that the world has ever witnessed. Accordingly Syria has for long been established as a topos for global reflection and concern. Despite an excess of visual documentation of this war, the actual processes through which some images have come to capture, embody and produce what Syria was, is, and is to become still need further thought and engagement. The central claim of this Introduction is that Syria offers an exemplary case to reflect on the power of images and on how processes of archiving enable a grip, not merely on the past but also on the present and the future. At the same time we offer a reflection on various facets of Syrian engagement with collections and re-collections of images, and how these speak to a concerted attempt to keep the narrative of what has taken place in Syria open for posterity.",
author = "Andreas Bandak and Crone, {Christine Aster} and Mollerup, {Nina Gr{\o}nlykke}",
year = "2024",
month = feb,
day = "14",
doi = "10.1080/08949468.2023.2285211",
language = "English",
volume = "37",
pages = "1--18",
journal = "Visual Anthropology",
issn = "0894-9468",
publisher = "Taylor & Francis",
number = "1",

}

RIS

TY - JOUR

T1 - Re-Collections

T2 - Images Beyond the Archive

AU - Bandak, Andreas

AU - Crone, Christine Aster

AU - Mollerup, Nina Grønlykke

PY - 2024/2/14

Y1 - 2024/2/14

N2 - In visual terms the ongoing war in Syria has been one of the most well-documented that the world has ever witnessed. Accordingly Syria has for long been established as a topos for global reflection and concern. Despite an excess of visual documentation of this war, the actual processes through which some images have come to capture, embody and produce what Syria was, is, and is to become still need further thought and engagement. The central claim of this Introduction is that Syria offers an exemplary case to reflect on the power of images and on how processes of archiving enable a grip, not merely on the past but also on the present and the future. At the same time we offer a reflection on various facets of Syrian engagement with collections and re-collections of images, and how these speak to a concerted attempt to keep the narrative of what has taken place in Syria open for posterity.

AB - In visual terms the ongoing war in Syria has been one of the most well-documented that the world has ever witnessed. Accordingly Syria has for long been established as a topos for global reflection and concern. Despite an excess of visual documentation of this war, the actual processes through which some images have come to capture, embody and produce what Syria was, is, and is to become still need further thought and engagement. The central claim of this Introduction is that Syria offers an exemplary case to reflect on the power of images and on how processes of archiving enable a grip, not merely on the past but also on the present and the future. At the same time we offer a reflection on various facets of Syrian engagement with collections and re-collections of images, and how these speak to a concerted attempt to keep the narrative of what has taken place in Syria open for posterity.

U2 - 10.1080/08949468.2023.2285211

DO - 10.1080/08949468.2023.2285211

M3 - Journal article

VL - 37

SP - 1

EP - 18

JO - Visual Anthropology

JF - Visual Anthropology

SN - 0894-9468

IS - 1

ER -

ID: 373616435