Writing amidst the Scribbles: The Role and Place of Writing in Ancient Maya Graffiti

Research output: Contribution to journalJournal articleResearchpeer-review

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Writing amidst the Scribbles : The Role and Place of Writing in Ancient Maya Graffiti. / Helmke, Christophe; Źrałka, Jarosław.

In: University College London. Institute of Archaeology. Papers, Vol. 31, No. 1, 2021, p. 93-120.

Research output: Contribution to journalJournal articleResearchpeer-review

Harvard

Helmke, C & Źrałka, J 2021, 'Writing amidst the Scribbles: The Role and Place of Writing in Ancient Maya Graffiti', University College London. Institute of Archaeology. Papers, vol. 31, no. 1, pp. 93-120. https://doi.org/10.14324/111.444.2041-9015.1287

APA

Helmke, C., & Źrałka, J. (2021). Writing amidst the Scribbles: The Role and Place of Writing in Ancient Maya Graffiti. University College London. Institute of Archaeology. Papers, 31(1), 93-120. https://doi.org/10.14324/111.444.2041-9015.1287

Vancouver

Helmke C, Źrałka J. Writing amidst the Scribbles: The Role and Place of Writing in Ancient Maya Graffiti. University College London. Institute of Archaeology. Papers. 2021;31(1):93-120. https://doi.org/10.14324/111.444.2041-9015.1287

Author

Helmke, Christophe ; Źrałka, Jarosław. / Writing amidst the Scribbles : The Role and Place of Writing in Ancient Maya Graffiti. In: University College London. Institute of Archaeology. Papers. 2021 ; Vol. 31, No. 1. pp. 93-120.

Bibtex

@article{c368e082b55d45b5b6c4d1bedf968f3e,
title = "Writing amidst the Scribbles: The Role and Place of Writing in Ancient Maya Graffiti",
abstract = "The significant corpus of ancient Maya graffiti (c. 200 BC-AD 950) attests to the widespread practice of secondarily altering architectural surfaces during the course of their use. For the most part this corpus is highly figurative and includes a series of schematic elements that attest to their production by the hands of a variety of agents. As one of the largest corpora of graffiti from any early civilization, the figural representations include a wide array of themes. Some graffiti feature complex, narrative scenes that document important moments of ritual life of the ancient Maya. Almost paradoxically, amid the intricate and highly figurative scenes are hieroglyphic graffiti. What do these written graffiti record, and what is the degree of literacy that these attest to? This raises a series of interesting questions including whether written and figural graffiti were etched onto walls by the same individuals, or whether these represent different social segments each leaving their mark. From these observations follow a series of important ramifications as to authorship, the use of the built environment as well as the motivations behind the graffiti itself",
author = "Christophe Helmke and Jaros{\l}aw {\'Z}ra{\l}ka",
year = "2021",
doi = "10.14324/111.444.2041-9015.1287",
language = "English",
volume = "31",
pages = "93--120",
journal = "Papers of the Institute of Archaeology",
issn = "0965-9315",
publisher = "Ubiquity Press Ltd.",
number = "1",

}

RIS

TY - JOUR

T1 - Writing amidst the Scribbles

T2 - The Role and Place of Writing in Ancient Maya Graffiti

AU - Helmke, Christophe

AU - Źrałka, Jarosław

PY - 2021

Y1 - 2021

N2 - The significant corpus of ancient Maya graffiti (c. 200 BC-AD 950) attests to the widespread practice of secondarily altering architectural surfaces during the course of their use. For the most part this corpus is highly figurative and includes a series of schematic elements that attest to their production by the hands of a variety of agents. As one of the largest corpora of graffiti from any early civilization, the figural representations include a wide array of themes. Some graffiti feature complex, narrative scenes that document important moments of ritual life of the ancient Maya. Almost paradoxically, amid the intricate and highly figurative scenes are hieroglyphic graffiti. What do these written graffiti record, and what is the degree of literacy that these attest to? This raises a series of interesting questions including whether written and figural graffiti were etched onto walls by the same individuals, or whether these represent different social segments each leaving their mark. From these observations follow a series of important ramifications as to authorship, the use of the built environment as well as the motivations behind the graffiti itself

AB - The significant corpus of ancient Maya graffiti (c. 200 BC-AD 950) attests to the widespread practice of secondarily altering architectural surfaces during the course of their use. For the most part this corpus is highly figurative and includes a series of schematic elements that attest to their production by the hands of a variety of agents. As one of the largest corpora of graffiti from any early civilization, the figural representations include a wide array of themes. Some graffiti feature complex, narrative scenes that document important moments of ritual life of the ancient Maya. Almost paradoxically, amid the intricate and highly figurative scenes are hieroglyphic graffiti. What do these written graffiti record, and what is the degree of literacy that these attest to? This raises a series of interesting questions including whether written and figural graffiti were etched onto walls by the same individuals, or whether these represent different social segments each leaving their mark. From these observations follow a series of important ramifications as to authorship, the use of the built environment as well as the motivations behind the graffiti itself

U2 - 10.14324/111.444.2041-9015.1287

DO - 10.14324/111.444.2041-9015.1287

M3 - Journal article

VL - 31

SP - 93

EP - 120

JO - Papers of the Institute of Archaeology

JF - Papers of the Institute of Archaeology

SN - 0965-9315

IS - 1

ER -

ID: 284903813