Proximity and distance in the mediation of suffering: Local photographers in war-torn Aleppo and the international media circuit
Research output: Contribution to conference › Conference abstract for conference › Research
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Proximity and distance in the mediation of suffering : Local photographers in war-torn Aleppo and the international media circuit. / Mollerup, Nina Grønlykke; Mortensen, Mette.
2018. Abstract from Visualising Conflict, Copenhagen, Denmark.Research output: Contribution to conference › Conference abstract for conference › Research
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TY - ABST
T1 - Proximity and distance in the mediation of suffering
AU - Mollerup, Nina Grønlykke
AU - Mortensen, Mette
PY - 2018/11/29
Y1 - 2018/11/29
N2 - This article studies the work and working conditions of local non-professional or semi- professional photographers in Aleppo 2016, and the way they manoeuvre in relation to international networks of journalists and editors as well as to Western norms of portraying distant suffering when seeking to reach global audiences. Theoretically, the article draws upon studies of the ethics of distant spectatorship as well as of practitioners’ perspectives on photojournalism in and from conflict zones. The analysis builds on interviews with local photographers, Aleppo Media Centre, non- governmental organization employees, news agency photo editors and international journalists who have worked in Aleppo as well as digital ethnography. We argue that the relationship between Aleppian photographers and international news organisations was characterised by mutual dependency, but that their relationship was concurrently wrought with inequalities and dilemmas as the photographers’ working conditions were characterised by physical, political and economic vulnerability.
AB - This article studies the work and working conditions of local non-professional or semi- professional photographers in Aleppo 2016, and the way they manoeuvre in relation to international networks of journalists and editors as well as to Western norms of portraying distant suffering when seeking to reach global audiences. Theoretically, the article draws upon studies of the ethics of distant spectatorship as well as of practitioners’ perspectives on photojournalism in and from conflict zones. The analysis builds on interviews with local photographers, Aleppo Media Centre, non- governmental organization employees, news agency photo editors and international journalists who have worked in Aleppo as well as digital ethnography. We argue that the relationship between Aleppian photographers and international news organisations was characterised by mutual dependency, but that their relationship was concurrently wrought with inequalities and dilemmas as the photographers’ working conditions were characterised by physical, political and economic vulnerability.
UR - https://www.mediasupport.org/visualising-conflict/
M3 - Conference abstract for conference
Y2 - 29 November 2018 through 29 November 2018
ER -
ID: 214131997