Making Media Public: On Revolutionary Street Screenings in Egypt

Research output: Contribution to journalJournal articleResearchpeer-review

Standard

Making Media Public : On Revolutionary Street Screenings in Egypt. / Mollerup, Nina Grønlykke; Gaber, Sherief.

In: International Journal of Communication, Vol. 9, 1, 2015, p. 2903-2921.

Research output: Contribution to journalJournal articleResearchpeer-review

Harvard

Mollerup, NG & Gaber, S 2015, 'Making Media Public: On Revolutionary Street Screenings in Egypt', International Journal of Communication, vol. 9, 1, pp. 2903-2921. <http://ijoc.org/index.php/ijoc/article/view/3655/1460>

APA

Mollerup, N. G., & Gaber, S. (2015). Making Media Public: On Revolutionary Street Screenings in Egypt. International Journal of Communication, 9, 2903-2921. [1]. http://ijoc.org/index.php/ijoc/article/view/3655/1460

Vancouver

Mollerup NG, Gaber S. Making Media Public: On Revolutionary Street Screenings in Egypt. International Journal of Communication. 2015;9:2903-2921. 1.

Author

Mollerup, Nina Grønlykke ; Gaber, Sherief. / Making Media Public : On Revolutionary Street Screenings in Egypt. In: International Journal of Communication. 2015 ; Vol. 9. pp. 2903-2921.

Bibtex

@article{2077bad17ef9472bb3663ebae4be123e,
title = "Making Media Public: On Revolutionary Street Screenings in Egypt",
abstract = "This article focuses on two related street screening initiatives, Tahrir Cinema and Kazeboon, which took place in Egypt mainly between 2011 and 2013. Based on long-term ethnographic studies and activist work, we explore street screenings as place-making and describe how participants at street screenings knew with rather than from the screenings. With the point of departure that participants{\textquoteright} experiences of the images cannot be understood detached from their experiences of everything around the images, we argue that Egyptian revolutionary street screenings enabled particular paths to knowledge because they made media engage with and take place within everyday spaces that the revolution aims to liberate and transform, and because the screenings{\textquoteright} public and illegal manner at times embodied events portrayed in the images.",
author = "Mollerup, {Nina Gr{\o}nlykke} and Sherief Gaber",
year = "2015",
language = "English",
volume = "9",
pages = "2903--2921",
journal = "International Journal of Communication",
issn = "1922-8036",
publisher = "USC - University of Southern California",

}

RIS

TY - JOUR

T1 - Making Media Public

T2 - On Revolutionary Street Screenings in Egypt

AU - Mollerup, Nina Grønlykke

AU - Gaber, Sherief

PY - 2015

Y1 - 2015

N2 - This article focuses on two related street screening initiatives, Tahrir Cinema and Kazeboon, which took place in Egypt mainly between 2011 and 2013. Based on long-term ethnographic studies and activist work, we explore street screenings as place-making and describe how participants at street screenings knew with rather than from the screenings. With the point of departure that participants’ experiences of the images cannot be understood detached from their experiences of everything around the images, we argue that Egyptian revolutionary street screenings enabled particular paths to knowledge because they made media engage with and take place within everyday spaces that the revolution aims to liberate and transform, and because the screenings’ public and illegal manner at times embodied events portrayed in the images.

AB - This article focuses on two related street screening initiatives, Tahrir Cinema and Kazeboon, which took place in Egypt mainly between 2011 and 2013. Based on long-term ethnographic studies and activist work, we explore street screenings as place-making and describe how participants at street screenings knew with rather than from the screenings. With the point of departure that participants’ experiences of the images cannot be understood detached from their experiences of everything around the images, we argue that Egyptian revolutionary street screenings enabled particular paths to knowledge because they made media engage with and take place within everyday spaces that the revolution aims to liberate and transform, and because the screenings’ public and illegal manner at times embodied events portrayed in the images.

M3 - Journal article

VL - 9

SP - 2903

EP - 2921

JO - International Journal of Communication

JF - International Journal of Communication

SN - 1922-8036

M1 - 1

ER -

ID: 185188363